{"id":15837,"date":"2022-07-03T18:06:26","date_gmt":"2022-07-03T22:06:26","guid":{"rendered":"https:\/\/www.pedroandretta.info\/index\/2022\/07\/03\/de-incentivo-a-censura-a-relacao-do-governo-imperial-com-o-teatro-l-tese-desen\/"},"modified":"2022-07-03T18:06:26","modified_gmt":"2022-07-03T22:06:26","slug":"de-incentivo-a-censura-a-relacao-do-governo-imperial-com-o-teatro-l-tese-desen","status":"publish","type":"post","link":"https:\/\/www.pedroandretta.info\/index\/2022\/07\/de-incentivo-a-censura-a-relacao-do-governo-imperial-com-o-teatro-l-tese-desen\/","title":{"rendered":"De incentivo \u00e0 censura: a rela\u00e7\u00e3o do governo imperial com o teatro l &#8220;Tese desen&#8230;"},"content":{"rendered":"<p>[ad_1]<br \/>\n<img decoding=\"async\" src=\"https:\/\/i0.wp.com\/jornal.usp.br\/wp-content\/uploads\/2022\/07\/20220701_00_theatro_sao_joao_brasil_imperial.png?fit=1200%2C630&amp;ssl=1\"\/><\/p>\n<p>De incentivo \u00e0 censura: a rela\u00e7\u00e3o do governo imperial com o teatro l &#8220;Tese desenvolvida na USP mostra rela\u00e7\u00e3o entre o Estado e as artes c\u00eanicas entre os anos de 1822 e 1889&#8221; #Teatro #Censura  via Jornal da USP <a href=\"https:\/\/jornal.usp.br\/universidade\/de-incentivo-a-censura-a-relacao-do-governo-imperial-com-o-teatro\/\" target=\"_blank\" rel=\"noopener\">jornal.usp.br\/universidade\/d\u2026<\/a><br \/>\n[ad_2]<br \/>\n<br \/>Curadoria: <a href=\"https:\/\/t.co\/qdDIov5LTC\">Projeto Informe-CI<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ad_1] De incentivo \u00e0 censura: a rela\u00e7\u00e3o do governo imperial com o teatro l &#8220;Tese desenvolvida na USP mostra rela\u00e7\u00e3o entre o Estado e as artes c\u00eanicas entre os anos de 1822 e 1889&#8221; #Teatro #Censura via Jornal da USP jornal.usp.br\/universidade\/d\u2026 [ad_2] Curadoria: Projeto Informe-CI<\/p>\n","protected":false},"author":1,"featured_media":15838,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[21],"tags":[168,169],"class_list":["post-15837","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-informeci","tag-censura","tag-teatro"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.pedroandretta.info\/index\/wp-content\/uploads\/2022\/07\/20220701_00_theatro_sao_joao_brasil_imperial.png?fit=1200%2C630&ssl=1","views":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/posts\/15837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/comments?post=15837"}],"version-history":[{"count":0,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/posts\/15837\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/media\/15838"}],"wp:attachment":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/media?parent=15837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/categories?post=15837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/tags?post=15837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}