{"id":32905,"date":"2025-09-07T12:34:25","date_gmt":"2025-09-07T16:34:25","guid":{"rendered":"https:\/\/www.pedroandretta.info\/index\/?p=32905"},"modified":"2025-09-07T12:34:30","modified_gmt":"2025-09-07T16:34:30","slug":"a-perspectiva-sociocultural-na-organizacao-e-representacao-da-informacao-e-do-conhecimento-oric-na-curadoria-digital-de-patrimonios-culturais-ppgci-uel","status":"publish","type":"post","link":"https:\/\/www.pedroandretta.info\/index\/2025\/09\/a-perspectiva-sociocultural-na-organizacao-e-representacao-da-informacao-e-do-conhecimento-oric-na-curadoria-digital-de-patrimonios-culturais-ppgci-uel\/","title":{"rendered":"A perspectiva sociocultural na organiza\u00e7\u00e3o e representa\u00e7\u00e3o da informa\u00e7\u00e3o e do conhecimento (ORIC) na curadoria digital de patrim\u00f4nios culturais \/ PPGCI &#8211; UEL"},"content":{"rendered":"\n<p><strong>A perspectiva sociocultural na organiza\u00e7\u00e3o e representa\u00e7\u00e3o da informa\u00e7\u00e3o e do conhecimento (ORIC) na curadoria digital de patrim\u00f4nios culturais \/ PPGCI &#8211; UEL<\/strong><\/p>\n\n\n\n<p>A pesquisa evidenciou que a curadoria digital, ao atuar entre o controle t\u00e9cnico e a via simb\u00f3lica, coloca os metadados como constru\u00e7\u00f5es sociot\u00e9cnicas que expressam escolhas e interpreta\u00e7\u00f5es, demonstrando que as abordagens socioculturais est\u00e3o diretamente ligadas \u00e0s formas pelas quais comunidades constroem e disputam significados. A curadoria digital, portando, ao integrar processos da ORIC, permite compreender as din\u00e2micas socioculturais e informacionais dos dom\u00ednios em que atua.<\/p>\n\n\n\n<p>#Organiza\u00e7\u00e3oDoConhecimento #Patrim\u00f4nioCultural #CuradoriaDigital<\/p>\n\n\n\n<p>Dispon\u00edvel em: <a href=\"https:\/\/repositorio.uel.br\/items\/a234f682-f18c-4589-a26f-c3e61d032e21\">https:\/\/repositorio.uel.br\/items\/a234f682-f18c-4589-a26f-c3e61d032e21<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"423\" height=\"600\" src=\"https:\/\/i0.wp.com\/www.pedroandretta.info\/index\/wp-content\/uploads\/2025\/09\/image-31.png?resize=423%2C600&#038;ssl=1\" alt=\"\" class=\"wp-image-32906\" srcset=\"https:\/\/i0.wp.com\/www.pedroandretta.info\/index\/wp-content\/uploads\/2025\/09\/image-31.png?resize=423%2C600&amp;ssl=1 423w, https:\/\/i0.wp.com\/www.pedroandretta.info\/index\/wp-content\/uploads\/2025\/09\/image-31.png?resize=211%2C300&amp;ssl=1 211w, https:\/\/i0.wp.com\/www.pedroandretta.info\/index\/wp-content\/uploads\/2025\/09\/image-31.png?w=531&amp;ssl=1 531w\" sizes=\"(max-width: 423px) 100vw, 423px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>A perspectiva sociocultural na organiza\u00e7\u00e3o e representa\u00e7\u00e3o da informa\u00e7\u00e3o e do conhecimento (ORIC) na curadoria digital de patrim\u00f4nios culturais \/ PPGCI &#8211; UEL A pesquisa evidenciou que a curadoria digital, ao atuar entre o controle t\u00e9cnico e a via simb\u00f3lica, coloca os metadados como constru\u00e7\u00f5es sociot\u00e9cnicas que expressam escolhas e interpreta\u00e7\u00f5es, demonstrando que as abordagens<\/p><\/div>\n<div class=\"blog-btn\"><a href=\"https:\/\/www.pedroandretta.info\/index\/2025\/09\/a-perspectiva-sociocultural-na-organizacao-e-representacao-da-informacao-e-do-conhecimento-oric-na-curadoria-digital-de-patrimonios-culturais-ppgci-uel\/\" class=\"home-blog-btn\">Ler mais<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[21],"tags":[514,704,1183],"class_list":["post-32905","post","type-post","status-publish","format-standard","hentry","category-informeci","tag-curadoriadigital","tag-organizacaodoconhecimento","tag-patrimoniocultural"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","views":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/posts\/32905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/comments?post=32905"}],"version-history":[{"count":0,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/posts\/32905\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/media?parent=32905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/categories?post=32905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/tags?post=32905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}