{"id":40402,"date":"2026-09-17T20:11:12","date_gmt":"2026-09-18T00:11:12","guid":{"rendered":"https:\/\/www.pedroandretta.info\/index\/?p=40402"},"modified":"2026-09-17T20:11:14","modified_gmt":"2026-09-18T00:11:14","slug":"ninguem-conserva-algo-que-nao-sabe-que-existe-informacao-arquivistica","status":"publish","type":"post","link":"https:\/\/www.pedroandretta.info\/index\/2026\/09\/ninguem-conserva-algo-que-nao-sabe-que-existe-informacao-arquivistica\/","title":{"rendered":"Ningu\u00e9m conserva algo que n\u00e3o sabe que existe \/ Informa\u00e7\u00e3o Arquivistica"},"content":{"rendered":"\n<p><strong>Ningu\u00e9m conserva algo que n\u00e3o sabe que existe: pr\u00e1ticas de arquivo e mem\u00f3ria audiovisual na Am\u00e9rica Latina \/ Informa\u00e7\u00e3o Arquivistica<\/strong><\/p>\n\n\n\n<p>A partir de um conjunto heterog\u00eaneo de iniciativas, tais como projetos de cinemas ind\u00edgenas, arquivos comunit\u00e1rios, cinematecas regionais e festivais de cinema, este artigo prop\u00f5e analisar as singularidades dessas pr\u00e1ticas de arquivo audiovisual com o objetivo de investigar os deslocamentos conceituais, epistemol\u00f3gicos e materiais que elas introduzem em rela\u00e7\u00e3o aos registros da mem\u00f3ria audiovisual. Essas pr\u00e1ticas prop\u00f5em uma no\u00e7\u00e3o de \u201ccorpo-arquivo\u201d (cuerpo-archivo), que faz viver aquilo que o arquivo colonial-moderno historicamente apagou ou excluiu.<\/p>\n\n\n\n<p>#Arquivos #Preserva\u00e7\u00e3o #Patrim\u00f4nioAudiovisual #Mem\u00f3ria<\/p>\n\n\n\n<p>Dispon\u00edvel em: <a href=\"https:\/\/www.aaerj.org.br\/ojs\/index.php\/informacaoarquivistica\/article\/view\/240\">https:\/\/www.aaerj.org.br\/ojs\/index.php\/informacaoarquivistica\/article\/view\/240<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"415\" height=\"600\" src=\"https:\/\/i0.wp.com\/www.pedroandretta.info\/index\/wp-content\/uploads\/2026\/09\/image-74.png?resize=415%2C600&#038;ssl=1\" alt=\"\" class=\"wp-image-40403\" srcset=\"https:\/\/i0.wp.com\/www.pedroandretta.info\/index\/wp-content\/uploads\/2026\/09\/image-74.png?resize=415%2C600&amp;ssl=1 415w, https:\/\/i0.wp.com\/www.pedroandretta.info\/index\/wp-content\/uploads\/2026\/09\/image-74.png?resize=208%2C300&amp;ssl=1 208w, https:\/\/i0.wp.com\/www.pedroandretta.info\/index\/wp-content\/uploads\/2026\/09\/image-74.png?w=541&amp;ssl=1 541w\" sizes=\"(max-width: 415px) 100vw, 415px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ningu\u00e9m conserva algo que n\u00e3o sabe que existe: pr\u00e1ticas de arquivo e mem\u00f3ria audiovisual na Am\u00e9rica Latina \/ Informa\u00e7\u00e3o Arquivistica A partir de um conjunto heterog\u00eaneo de iniciativas, tais como projetos de cinemas ind\u00edgenas, arquivos comunit\u00e1rios, cinematecas regionais e festivais de cinema, este artigo prop\u00f5e analisar as singularidades dessas pr\u00e1ticas de arquivo audiovisual com o<\/p><\/div>\n<div class=\"blog-btn\"><a href=\"https:\/\/www.pedroandretta.info\/index\/2026\/09\/ninguem-conserva-algo-que-nao-sabe-que-existe-informacao-arquivistica\/\" class=\"home-blog-btn\">Ler mais<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[21],"tags":[72,430,1535,549],"class_list":["post-40402","post","type-post","status-publish","format-standard","hentry","category-informeci","tag-arquivos","tag-memoria","tag-patrimonioaudiovisual","tag-preservacao"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","views":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/posts\/40402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/comments?post=40402"}],"version-history":[{"count":1,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/posts\/40402\/revisions"}],"predecessor-version":[{"id":40404,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/posts\/40402\/revisions\/40404"}],"wp:attachment":[{"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/media?parent=40402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/categories?post=40402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pedroandretta.info\/index\/wp-json\/wp\/v2\/tags?post=40402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}